Then she sat alone to play “All Too Well,” her most majestic ballad, just a girl and her piano and several thousand other girls singing along. But the best moment was the double-shot of “I Knew You Were Trouble” into “All Too Well.” Taylor turned “Trouble” into a blast of razzle-dazzle choreography in fancy-dress Once the lights went out, the screaming never flagged, and neither did the For most of them, Taylor was the first girl they’ve seen play a guitar, a signifier that cannot be denied. The audience was part of the show, with their homemade red costumes, placards, Lite Brite codes and more glowsticks than an Inspiral Carpets Nobody could touch her for fan hysteria, either. “Hi, I’m Taylor,” she said by way of an introduction. Her set was mostly new songs from "RED", one of the slickest, smartest and just plain best mega-pop Guitar matched the ones on her microphone, her shoes and 80 percent of the crowd. No other pop auteur could touch her for emotional excess or musical reach. Seeing Taylor live in 2013 was seeing a maestro at the top of her or anyone’s game. Every night, she sang a cover of The Lumineers's "Ho Hey", intertwined with her own "Stay Stay Stay". Taylor had used Tom Petty's "American Girl" as her entrance song on her previous tour but now took the stage to Lenny Kravitz's We always see which songs are really the passionate songs and the ones the fans are freaking out over the most, and those are the ones that are definitely in the set list. I'm so excited to see what songs the fans like the most and which ones jump to the forefront, because that's the first "Of course, you know the tour will be a big representation of this record. WRVW, she mentioned that "it's nothing like any other tour before." North American stadium and arena tour in early 2013 in support of her fourth studio album " RED" (2012). On October 25, 2012, in partnership with ABC News on the prime-time TV special "All Access Nashville with Katie Couric - A Special Edition of 20/20", Taylor announced that she will launch a Smashed the record for all-time revenue for a single tour by a country artist (even though most would probably agree she had fled the country coop by then). The "RED Tour" was flashy, incorporated circus elements and took full advantage of the stadiums that had now become the norm for her concerts, and was highly well-received critically. Before embarking on the "RED Tour" alongside opening act Ed Sheeran, Taylor toldīillboard she intended for the tour to “be a big representation of this record.” By this point in her career, Taylor was “feelin’ 22,” and made her growth clear byĮntering the stage to Lenny Kravitz’s “American Woman” (having previously used Tom Petty’s “American Girl”). "RED" was full of sonic shockers, so it was only natural for the eponymous supporting tour to match. This was the first tour by Taylor to extend to MuslimĬountries such as Malaysia and Indonesia. Launched in support of her fourth studio album, " RED" (2012), the tour began on Main Omaha, Nebraska, and concluded on Jin Singapore. "The RED Tour" was the third concert tour by Taylor.
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